Polyp graphic novel5/19/2023 ![]() ![]() ![]() He turned in a barely professional art assignment for Marvel’s Master of Kung Fu, following it a year later with some much-improved penciling for the Indiana Jones comic book. Mazzucchelli’s first paying comics job came in 1982, while he was still an undergraduate at the Rhode Island School of Design. These issues are explored by characters-whether the mysterious Big Man or the dreamy Asterios Polyp-who possess a life beneath their cartoonish exteriors that is teased out by Mazzucchelli’s gestural drawing style and multilayered narratives. The key to these projects lies in a set of concerns that include space, line, perception (and misperception), relationships, and everyday morality. His pictorial world has expanded over the course of two decades and across a variety of publications and genres, from the noir realism of Daredevil (1984–86) and Batman: Year One (1986–87) to the fablelike tales of Rubber Blanket (1991–93) to the epic character study that is his first graphic novel, Asterios Polyp. There are no accidents in his comics world he takes every element into account, from ink and color to paper and binding-which makes the apparent spontaneity and easy naturalism of his work both beguiling and convincing. David Mazzucchelli is not a casual cartoonist. ![]()
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